A Shepherd (Study for “Il Voto”) (recto); Woman Holding a Baby (Study for “Il Voto”) (verso)Francesco Paolo Michetti, c. 1883
Corot's Studio: Woman Seated Before an Easel, a Mandolin in her HandJean Baptiste Camille Corot, c. 1868
Portrait of a Woman, Possibly a Nun of San Secondo; (verso) Scene in GrisailleJacometto (Jacometto Veneziano), ca. 1485–95
Dutch Woman and Child (Seisha ikoku jinbutsu Oranda fujin aijidō no zu)Utagawa (Gountei) Sadahide, 1860
American Woman Riding Side-Saddle on the Road at Honmoku, Motomura, Yokohama (America Yokohama Motomura Honmoku michi)Utagawa Hiroshige II, 2nd month, 1861
Three Standing Figures (recto); Seated Woman and a Male Hermit in Half-length (verso)Stefano da Verona (Stefano di Giovanni d'Arbosio di Francia), 1435–38
French Woman and Girl, from the series Foreign Merchants in Yokohama (Yokohama shōka ijin no zu)Utagawa (Gountei) Sadahide, 1st month, 1861
In proof of true love, a watercarrier skeleton arguing with a woman (Posada); two skeleton angels in upper corners (Manilla)José Guadalupe Posada, ca. 1890–96
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)Francisco Goya, ca. 1816–20
The magician disguised as a Brahman returns to claim his “daughter-in-law,” from a Tuti-nama (Tales of a Parrot): Thirty-fifth NightUnknown maker, c. 1560
Nissaka: The Night-Weeping Stone at Sayo no Nakayama, from the series The Fifty-Three Stations of the TōkaidōUtagawa Hiroshige, c. 1848–50
Jesus writes on the ground (folio 130 verso), from a Mirror of Holiness (Mir’at al-quds) of Father Jerome XavierUnknown maker, 1602–4
