Aglaida and Boniface, previewed as a 20 by 16 inch giclée reproduction.

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Alexandre Cabanel

French, 1823–1889

Aglaida and Bonifacec. 1857

oil on canvas

Unframed: 62.2 x 68 cm (24 1/2 x 26 3/4 in.)

Courtesy of the Cleveland Museum of Art · 2007.275

The French painter Alexandre Cabanel was a favorite of Emperor Napoleon III and a leader of the academic style that emphasized precise drawing and smoothly modeled forms. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 15 × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The French painter Alexandre Cabanel was a favorite of Emperor Napoleon III and a leader of the academic style that emphasized precise drawing and smoothly modeled forms. This painting depicts the wealthy Roman woman Aglaida and her concubine slave Boniface, here living as pagan sinners in Rome around 290 CE. On a trip to Tarsus on the Anatolian coast, Boniface converted to Christianity and was tortured and beheaded. Aglaida also converted to Christianity, gave all her possessions to the poor, and built a church for Boniface's relics.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Alexandre Cabanel

French, 1823–1889

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2007.275
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Modern European Painting and Sculpture
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John White Alexander, 1895