Collections
Small hangs we put together around a subject, a season or a way of seeing. Each work is credited to the museum that released it.



Blue hourThe short interval after sunset, when the light goes cool and the outlines soften, drew painters and printmakers back again and again. These works hold that hour: moonlit harbours, evening streets and nocturnes in which blue does most of the work.12 works


Gardens and botanicalsFlowers were studied before they were painted for pleasure, and the two impulses run together here: the botanist's careful plate, the gardener's border, the still life cut from a summer morning. Most of these works were made to record a plant exactly; many ended up as much admired for their colour.24 works


Japanese woodblock printsUkiyo-e, pictures of the floating world, were made by teams: a publisher, a designer, a carver and a printer who laid each colour from its own block. Cheap in their day and collected avidly in Europe from the 1860s, they shaped Impressionism as much as any painting did.24 works


Still lifeA table, a vessel, a few things arranged under a window: still life gave painters a subject they could control completely, and they used it to test light, texture and the passing of time. The genre's quiet surface often carries a moral about abundance and decay.24 works


The seaHarbours, beaches and open water, from Dutch ships under heavy cloud to American coasts at midday. Painters went to the sea for its weather as much as its boats, and the shoreline became one of the places where open-air painting was worked out.24 works


WinterSnow simplifies a landscape and makes every colour in it count. These are winter scenes from several centuries and both sides of the world: skaters on frozen canals, snow on temple roofs, a road gone quiet in the cold.17 works


Portraits in paintFaces painted from life, from Renaissance panels to Gilded Age canvases. A portrait was a record, a likeness and often a statement of standing, and the best of them still hold the sitter's attention across a room.24 works


Index of American DesignBetween 1935 and 1942 a Federal Art Project employed artists to record American decorative and folk objects in exact watercolour renderings: weathervanes, quilts, toys, ceramics, carved figures. The result is a visual archive of everyday craft, painted with remarkable care.24 works


BirdsBirds turn up in every tradition gathered here: on Chinese scrolls, in Japanese prints, in natural-history plates and on American canvases. Some are observed with a naturalist's precision, others carry meanings of their own, such as the crane for long life.24 works


Cities and viewsStreets, bridges, skylines and squares: the city as painters and engravers saw it, often before photography could. Views of Venice, Paris, New York and Edo sit together here, made for travellers, for civic pride and for the plain pleasure of looking at a place.24 works
Movements
ImpressionismPainters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.53
Post-ImpressionismArtists who kept Impressionism's colour but pushed towards structure, symbol and feeling.62
Hudson River SchoolAmerican landscape painters of the mid-1800s who made wilderness their grand subject.27
Ukiyo-eJapanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.172
Dutch Golden AgeSeventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.44
RenaissanceEuropean art from about 1400 to 1600, when painters rediscovered perspective and the classical past.78
BaroqueDrama, movement and deep shadow in European art of the 1600s.32
RococoLight, playful and pastel: the decorative art of eighteenth-century Europe.21
Chinese paintingInk and colour on silk and paper, from imperial courts to scholars' retreats.76
Art NouveauPosters and designs of the 1890s and 1900s, all whiplash curves and flat colour.1
American folk and designThe everyday art of early America, recorded in watercolour by the Index of American Design.90
RomanticismSublime landscapes, storms and feeling, from about 1780 to 1850.32
RealismOrdinary people and working lives, painted as they were, from the 1840s on.41