Symbolic Head, previewed as a 16 by 20 inch giclée reproduction.

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Odilon Redon

French, 1840–1916

Symbolic Headc. 1890

oil on paper mounted on canvas

Framed: 69 x 54.5 x 7.5 cm (27 3/16 x 21 7/16 x 2 15/16 in.); Unframed: 53.3 x 38 cm (21 x 14 15/16 in.)

Courtesy of the Cleveland Museum of Art · 1988.91

One of Redon’s favorite themes was a head depicted in profile, sometimes separated from the body to symbolize the spirit released from the material world. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 12½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

One of Redon’s favorite themes was a head depicted in profile, sometimes separated from the body to symbolize the spirit released from the material world. It also suggests a metaphor for abandoning physical reality for the inner realm of dreams, fantasy, and poetic reverie. This painting conveys the idea of inward-turning vision by framing the head in a series of collapsing rectangles. Conservation analysis confirms that the figure is a woman wearing a helmet and holding a green staff in her right hand.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Odilon Redon

French, 1840–1916 · Born in Bordeaux; died in Paris.

Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers. In the 1890s he turned to colour, and his later pastels and oils of flowers, myths and visions glow with intense hues. He was close to Mallarmé and admired by the young Nabis.

Written by Ochre Editions.

See all 7 works by Odilon Redon

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1988.91
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Modern European Painting and Sculpture
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Sibylle

Jean Baptiste Camille Corot, ca. 1870