Brünnhilde in Twilight of the Gods, previewed as a 16 by 20 inch giclée reproduction.

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Odilon Redon

French, 1840–1916

Brünnhilde in Twilight of the Gods1894

lithograph

Image: 38 x 29.2 cm (14 15/16 x 11 1/2 in.)

Courtesy of the Cleveland Museum of Art · 1945.389

This print shows Odilon Redon’s passion for the music of 19th-century German composer Richard Wagner. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This print shows Odilon Redon’s passion for the music of 19th-century German composer Richard Wagner. Brünnhilde is a main character in the final chapter of Wagner’s The Ring of the Nibelung, an epic four-part operatic piece composed over several decades. Created after Redon’s extensive experimentation with and mastery of lithography, the print reveals the medium’s similarity to drawing in the range of marks used to sketch its subject. Redon delicately outlined flowers in the background and crosshatched to highlight Brünnhilde’s face before turning his crayon on its side to darken her hair and chest.

Text from the Cleveland Museum of Art.

How it was made

Lithograph
Drawn on limestone with a greasy crayon or ink. The stone is kept damp, and the oily printing ink clings only to the drawing. Invented in the 1790s, it let artists print exactly as they drew.

Odilon Redon

French, 1840–1916 · Born in Bordeaux; died in Paris.

Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers. In the 1890s he turned to colour, and his later pastels and oils of flowers, myths and visions glow with intense hues. He was close to Mallarmé and admired by the young Nabis.

Written by Ochre Editions.

See all 7 works by Odilon Redon

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1945.389
Credit
Courtesy of the Cleveland Museum of Art
Type
Print
Department
Prints
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