Peoniesn.d.
Kitagawa Utamaro designed this (n.d.) It is now at the Art Institute of Chicago. More about this work
About this work
A work made of color woodblock print; surimono.
Description from the Art Institute of Chicago.
Kitagawa Utamaro designed this (n.d.). It is now at the Art Institute of Chicago.
How it was made
- Surimono
- Privately commissioned Japanese prints, often New Year greetings, made in small runs on thick paper with metallic pigments and blind embossing, and usually paired with poems.
- Colour woodblock print
- In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.
Kitagawa Utamaro
Japanese, c.1753–1806
Utamaro trained with the painter Toriyama Sekien and rose to fame in the 1790s with the support of the publisher Tsutaya Jūzaburō. He is best known for his half-length portraits of women, the ōkubi-e or “large head” pictures, which give close attention to expression, gesture and the texture of hair and fabric. He also produced finely observed books of insects, shells and birds. In 1804 he was punished by the authorities for designs depicting the warlord Toyotomi Hideyoshi.
Written by Ochre Editions.
Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Rights and the museum’s record
Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1943.652
- Credit
- Courtesy of the Art Institute of Chicago
- Type
- Department
- Arts of Asia
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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