Flower Clouds, previewed as a 20 by 16 inch giclée reproduction.

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Odilon Redon

French, 1840–1916

Flower Cloudsc. 1903

Pastel, with touches of stumping, incising, and brushwork, on blue-gray wove paper with multi-colored fibers altered to tan, perimeter mounted to cardboard

44.5 × 54.2 cm (17 9/16 × 21 3/8 in.)

Courtesy of the Art Institute of Chicago · 1990.165

Two figures drift in a small sailboat beneath clouds that bloom into brilliant, flower-like colour, a scene that seems to belong to dream rather than to any real voyage. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 16½ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Two figures drift in a small sailboat beneath clouds that bloom into brilliant, flower-like colour, a scene that seems to belong to dream rather than to any real voyage. Odilon Redon spent the first decades of his career working almost entirely in black, in the charcoal drawings and lithographs he called his ‘noirs’, before turning in the 1890s to pastel and radiant colour. The boat, a recurring motif in his late work, suggests a spiritual journey, and the pastel, worked with stumping and incising, glows against the blue-grey paper.

Written by Ochre Editions.

What you’re looking at

Pastel drawing of two figures in a sailboat, bright multi-colored clouds.

Description from the Art Institute of Chicago.

How it was made

Pastel
Sticks of almost pure pigment with very little binder. The colour sits on the paper as powder: bright, matte and fragile.

Odilon Redon

French, 1840–1916 · Born in Bordeaux; died in Paris.

Redon spent three decades working almost entirely in black: charcoal drawings he called his “noirs” and albums of lithographs peopled with floating eyes, strange plants and dreamlike heads, which made him a hero of the Symbolist writers. In the 1890s he turned to colour, and his later pastels and oils of flowers, myths and visions glow with intense hues. He was close to Mallarmé and admired by the young Nabis.

Written by Ochre Editions.

See all 7 works by Odilon Redon

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1990.165
Credit
Courtesy of the Art Institute of Chicago
Type
Drawing and Watercolor
Department
Prints and Drawings
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