Dancers, previewed as a 16 by 20 inch giclée reproduction.

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Edgar Degas

French, 1834–1917

Dancersc. 1896

pastel with charcoal on tracing paper mounted on paper and backed with gray board

Sheet: 55.7 x 41.4 cm (21 15/16 x 16 5/16 in.)

Courtesy of the Cleveland Museum of Art · 1916.1043

Degas depicted the ballet in more than 1,000 paintings, prints, pastels, and sculptures. He preferred private, offstage moments to glamorous curtain calls or artfully constructed compositions. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13 × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Degas depicted the ballet in more than 1,000 paintings, prints, pastels, and sculptures. He preferred private, offstage moments to glamorous curtain calls or artfully constructed compositions. Here, three dancers stretch together in the wings, unaware of the viewer’s presence. Powdery layers of yellow, orange, and pink pastel create a rough surface characteristic of Degas’s late work in the medium. He invented special techniques that allowed him to build layer upon layer of color with varying degrees of opacity and transparency. This pastel’s rich surface and intense, vibrating palette is the result of such innovative methods.

Text from the Cleveland Museum of Art.

How it was made

Pastel
Sticks of almost pure pigment with very little binder. The colour sits on the paper as powder: bright, matte and fragile.
Charcoal
Burnt willow or vine. It smudges and wipes away easily, which made it the natural tool for working out a composition.

Edgar Degas

French, 1834–1917 · Born and died in Paris.

Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers. He helped organise the Impressionist exhibitions and showed in all but one, yet preferred to call himself a realist. Working from drawing and memory rather than outdoors, he composed with unexpected cropping and viewpoints, and in later years worked mostly in pastel as his eyesight failed.

Written by Ochre Editions.

See all 15 works by Edgar Degas

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1916.1043
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
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