Sheet of Studies and Sketches, previewed as a 16 by 20 inch giclée reproduction.

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Edgar Degas

French, 1834–1917

Sheet of Studies and Sketches1858

graphite, pen and dark brown ink, and watercolor on thick ivory wove paper

Sheet: 30.4 x 23.5 cm (11 15/16 x 9 1/4 in.)

Courtesy of the Cleveland Museum of Art · 1951.430

Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Degas traveled to Florence, Italy, in July 1858, where he made this sheet of studies. The featured imagery is fragmented and dissociated, suggesting the young artist's engagement with art of the past. The refined female head drawn at center in graphite was copied from a drawing then attributed to Leonardo da Vinci in the Uffizi Gallery's collection. Other sketches record Degas's responses to Florentine sculpture. At upper right, he sketched an informal portrait of his cousin Giulia Bellelli, probably from life.

Text from the Cleveland Museum of Art.

How it was made

Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.

Edgar Degas

French, 1834–1917 · Born and died in Paris.

Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers. He helped organise the Impressionist exhibitions and showed in all but one, yet preferred to call himself a realist. Working from drawing and memory rather than outdoors, he composed with unexpected cropping and viewpoints, and in later years worked mostly in pastel as his eyesight failed.

Written by Ochre Editions.

See all 15 works by Edgar Degas

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1951.430
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
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