
Conversation: Ludovic Halévy and Madame Cardinal (The Conversation) for "La Famille Cardinal" by Ludovic Halévyc. 1880–83
This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. More about this work
About this work
This print comes from a series of more than 30 monotypes that Degas planned as illustrations for La Famille Cardinal by the artist’s friend Ludovic Halévy. The satirical stories revolve around two young dancers at the Opéra, Pauline and Virginie Cardinal, and their procuress mother. In late 19th-century Paris, the ballet was the profession of lower-class girls and young women who were available for sexual hire. Here, in the opening scene, Halévy, the first-person narrator, meets with Madame Cardinal in the coulisses (wings) of the Opéra to arrange for a private rendezvous with one of her daughters. The dancers, whose sexual availability is the subtext of the composition, are conspicuously absent.
Text from the Cleveland Museum of Art.
Edgar Degas
French, 1834–1917 · Born and died in Paris.
Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers. He helped organise the Impressionist exhibitions and showed in all but one, yet preferred to call himself a realist. Working from drawing and memory rather than outdoors, he composed with unexpected cropping and viewpoints, and in later years worked mostly in pastel as his eyesight failed.
Written by Ochre Editions.
Impressionism
Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1967.167
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Department
- Prints
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site



















