Boats at Berck-sur-Mer, previewed as a 20 by 16 inch giclée reproduction.

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Édouard Manet

French, 1832–1883

Boats at Berck-sur-Mer1873

oil on fabric

Framed: 52.5 x 74 x 7 cm (20 11/16 x 29 1/8 x 2 3/4 in.); Unframed: 34 x 55.8 cm (13 3/8 x 21 15/16 in.)

Courtesy of the Cleveland Museum of Art · 1940.534

Ever since his childhood, Manet spent almost every summer at the seashore. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 10¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Ever since his childhood, Manet spent almost every summer at the seashore. At age 16, after failing the entrance exam for the naval academy, he embarked as an apprentice on a training ship, traveling as far away as Rio de Janeiro. The sea would always capture his imagination, and in 1864 he painted several seascapes. This painting was made nearly ten years later, while the artist was staying in Berck-sur-Mer, near Boulogne. Exploring light and movement, he rapidly sketched the sails of the countless ships that dance in the wind on blue-green waves highlighted with white. Manet even added a slight curve to the horizon, thus conveying an impression of infinite space, despite the painting's small size.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Édouard Manet

French, 1832–1883 · Born and died in Paris.

Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling. Though he never showed with the Impressionists, younger painters looked to him as a leader, and in his last years he painted Parisian café life and A Bar at the Folies-Bergère.

Written by Ochre Editions.

See all 16 works by Édouard Manet

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1940.534
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Modern European Painting and Sculpture
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