Claire Campbell, previewed as a 16 by 20 inch giclée reproduction.

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Édouard Manet

French, 1832–1883

Claire Campbell1876

Pastel with oil on fine-weave canvas

Unframed: 55.2 x 45.7 cm (21 3/4 x 18 in.)

Courtesy of the Cleveland Museum of Art · 1956.718

During the late 1870s, Edouard Manet began to experience health problems that made it difficult for him to work in oil painting. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 16¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

During the late 1870s, Edouard Manet began to experience health problems that made it difficult for him to work in oil painting. Instead, he began to draw using pastel, a powdery medium that allowed him to render line and color with each stroke. This work is one of numerous portraits that Manet created around this time with the medium. It depicts Claire Campbell, a fashionable young British woman whose father published The Daily Telegraph , a British newspaper. Manet used the velvety texture of pastel to render the subject's skin and hair, limiting his palette to mostly neutral tones such as white, gray, and black.

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.
Pastel
Sticks of almost pure pigment with very little binder. The colour sits on the paper as powder: bright, matte and fragile.

Édouard Manet

French, 1832–1883 · Born and died in Paris.

Manet came from a prosperous Parisian family, trained under Thomas Couture and studied the old masters, Velázquez above all. In the 1860s he provoked critics with Le Déjeuner sur l’herbe and Olympia, modern subjects painted in flat, frank colour with little modelling. Though he never showed with the Impressionists, younger painters looked to him as a leader, and in his last years he painted Parisian café life and A Bar at the Folies-Bergère.

Written by Ochre Editions.

See all 16 works by Édouard Manet

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1956.718
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
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