The Lictors Bringing Brutus the Bodies of his Sons, previewed as a 20 by 16 inch giclée reproduction.

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Jacques-Louis David

French, 1748–1825

The Lictors Bringing Brutus the Bodies of his Sons1787

Black chalk, pen and black and brown ink, brush and gray and brown wash, heightened with white gouache

Sheet: 13 1/16 x 16 9/16 in. (33.2 x 42.1 cm)

Courtesy of The Metropolitan Museum of Art · 2006.264

Lucius Junius Brutus, founder of the Roman Republic, had condemned his own sons to death for plotting to restore the monarchy; here the lictors carry their bodies home, while the women of his family cry out in grief. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¼ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Lucius Junius Brutus, founder of the Roman Republic, had condemned his own sons to death for plotting to restore the monarchy; here the lictors carry their bodies home, while the women of his family cry out in grief. Jacques-Louis David made this highly finished compositional drawing in 1787 as he worked towards his painting of the subject, shown at the Salon of 1789, the year the Revolution began. The contrast between the father’s stern sacrifice for the state and the women’s anguish lies at the heart of the design.

Written by Ochre Editions.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Chalk
Natural black, red and white chalks. Used together on toned paper they could give the warmth of flesh with very little effort, and they were favourites for studies from life.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.

Jacques-Louis David

French, 1748–1825 · Born in Paris; died in Brussels.

David was the leading painter of French Neoclassicism. After winning the Prix de Rome he studied antiquity in Italy, and in the 1780s produced severe, moralising history paintings such as The Oath of the Horatii and The Death of Socrates. During the Revolution he was a deputy who voted for the king’s execution and painted The Death of Marat; he later became first painter to Napoleon. After the Bourbon restoration he lived in exile in Brussels, where he died.

Written by Ochre Editions.

See all 4 works by Jacques-Louis David

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2006.264
Credit
Courtesy of The Metropolitan Museum of Art
Type
Drawings
Department
Drawings and Prints
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