Édouard Manet, Seated, Holding His Hat, previewed as a 16 by 20 inch giclée reproduction.

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Edgar Degas

French, 1834–1917

Édouard Manet, Seated, Holding His Hatca. 1868

Graphite and black chalk

Sheet: 13 1/16 x 9 1/16 in. (33.1 x 23 cm)

Courtesy of The Metropolitan Museum of Art · 19.51.7

Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 12¼ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Édouard Manet sits with his hat in his hand, caught by his friend and rival Edgar Degas in a few sure lines of graphite and black chalk. The two painters met in the early 1860s, reputedly while Degas was copying in the Louvre, and Degas drew and etched Manet several times later in that decade. The informal pose, as if the sitter had just arrived or was about to leave, is typical of Degas’s interest in passing, unguarded moments.

Written by Ochre Editions.

How it was made

Chalk
Natural black, red and white chalks. Used together on toned paper they could give the warmth of flesh with very little effort, and they were favourites for studies from life.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

Edgar Degas

French, 1834–1917 · Born and died in Paris.

Degas trained in the academic tradition, admired Ingres and spent three years in Italy copying earlier art, but turned to modern Paris for his subjects: dancers, racecourses, laundresses, milliners and café singers. He helped organise the Impressionist exhibitions and showed in all but one, yet preferred to call himself a realist. Working from drawing and memory rather than outdoors, he composed with unexpected cropping and viewpoints, and in later years worked mostly in pastel as his eyesight failed.

Written by Ochre Editions.

See all 15 works by Edgar Degas

Impressionism

Painters in 1870s Paris who worked quickly, often outdoors, to catch light as it changed.

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Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
19.51.7
Credit
Courtesy of The Metropolitan Museum of Art
Type
Drawings
Department
Drawings and Prints
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