Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami), previewed as a 11 by 14 inch giclée reproduction.

Look closer

See it on a wall

Kitagawa Utamaro

Japanese, c.1753–1806

Jihei of Kamiya Eloping with the Geisha Koharu of Kinokuniya, from the series “True Feelings Compared: The Founts of Love” (Jitsu kurabe iro no Minakami)ca. 1798–99

Woodblock print; ink and color on paper

15 1/8 x 9 5/8 in. (38.4 x 24.4 cm)

Courtesy of The Metropolitan Museum of Art · JP2738

The paper merchant Jihei and the courtesan Koharu steal away together by lantern light, the doomed lovers of Chikamatsu Monzaemon’s play The Love Suicides at Amijima, first staged in 1720. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 157 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
11 × 14 in · image 8 × 12¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$38

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

The paper merchant Jihei and the courtesan Koharu steal away together by lantern light, the doomed lovers of Chikamatsu Monzaemon’s play The Love Suicides at Amijima, first staged in 1720. Utamaro’s series True Feelings Compared: The Founts of Love paired famous couples from the puppet and kabuki theatre in close, half-length compositions, using their intertwined figures and faces to convey tenderness and impending tragedy. Contemporary audiences knew how the story ended, which gave such images their poignancy.

Written by Ochre Editions.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.

Kitagawa Utamaro

Japanese, c.1753–1806

Utamaro trained with the painter Toriyama Sekien and rose to fame in the 1790s with the support of the publisher Tsutaya Jūzaburō. He is best known for his half-length portraits of women, the ōkubi-e or “large head” pictures, which give close attention to expression, gesture and the texture of hair and fabric. He also produced finely observed books of insects, shells and birds. In 1804 he was punished by the authorities for designs depicting the warlord Toyotomi Hideyoshi.

Written by Ochre Editions.

See all 12 works by Kitagawa Utamaro

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

More from Ukiyo-e

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
JP2738
Credit
Courtesy of The Metropolitan Museum of Art
Type
Prints
Department
Asian Art
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Kitagawa Utamaro

All their works

Close in colour

Noon

David Lucas, 1830