Salome with the Head of Saint John the Baptist, previewed as a 16 by 20 inch giclée reproduction.

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Jacob Duck

Dutch, c. 1600–1667

Salome with the Head of Saint John the Baptistmid-1600s

oil on wood

Framed: 92 x 76.5 x 4 cm (36 1/4 x 30 1/8 x 1 9/16 in.); Unframed: 71 x 54.6 cm (27 15/16 x 21 1/2 in.)

Courtesy of the Cleveland Museum of Art · 1975.79

The colorful, exotic garments worn by the woman at the right demonstrate Jacob Duck’s skill in painting luxurious surfaces: she is Salome, daughter of Herodias. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

The colorful, exotic garments worn by the woman at the right demonstrate Jacob Duck’s skill in painting luxurious surfaces: she is Salome, daughter of Herodias. According to the New Testament, Herodias bore a grudge against John the Baptist, who condemned her marriage to Herod, ruler of Galilee and Perea. At a celebration dinner, Salome so charmed Herod with her dancing that he offered her anything she desired—and Herodias convinced Salome to demand John the Baptist’s head. Rather than depicting the actual execution, Duck focused on the executioner’s muscled physique as he departs the scene, turning to look at the viewer after having presented Salome with John’s severed head.

Text from the Cleveland Museum of Art.

How it was made

Oil on panel
Oil paint on prepared wooden boards, usually oak in the north and poplar in Italy. The rigid, smooth surface suits fine detail and thin, glowing glazes.
Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Jacob Duck

Dutch, c. 1600–1667

Dutch Golden Age

Seventeenth-century painting from the Dutch Republic: still lifes, interiors, portraits and flat, wide skies.

More from Dutch Golden Age

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1975.79
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
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