Cherry Blossoms in the Wind, previewed as a 16 by 20 inch giclée reproduction.

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Utagawa Toyokuni

Japanese, 1769–1825

Cherry Blossoms in the Windlate 1790s

woodblock print, ink and color on paper

Overall: 38.7 x 80 cm (15 1/4 x 31 1/2 in.)

Courtesy of the Cleveland Museum of Art · 1975.97.a

Highly regarded for his images of actors, Toyokuni was also known for his prints of beauties that demonstrate his brilliant skill in composition. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 11¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Highly regarded for his images of actors, Toyokuni was also known for his prints of beauties that demonstrate his brilliant skill in composition. This triptych depicts a joyful hanami (flower viewing) scene in spring. One woman stands on a huge wine bottle, while another one sits on a samurai’s shoulder; in both scenes, the women are tying prayers or poems on tree branches. On the left, two servants protect a well-dressed lady from the wind. Their fluttering, long-sleeved kimonos capture the wind’s movement. Standing in a triad, the three groups form a stable, harmonic composition against the cherry blossom background.

Text from the Cleveland Museum of Art.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.

Utagawa Toyokuni

Japanese, 1769–1825

Toyokuni studied with Utagawa Toyoharu, founder of the Utagawa school, and made his name in the 1790s with vivid portraits of kabuki actors and pictures of fashionable women. His full-length series of actors in their roles, issued in 1794–96, rivalled the best of the day, and his commercial success made the Utagawa line the dominant force in Edo woodblock design. Among his many pupils were Kunisada and Kuniyoshi, who carried the school into the next generation.

Written by Ochre Editions.

See all 8 works by Utagawa Toyokuni

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

More from Ukiyo-e

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1975.97.a
Credit
Courtesy of the Cleveland Museum of Art
Type
Print
Department
Japanese Art
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