Variations in Violet and Grey—Market Place, Dieppe1885
A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described. More about this work
About this work
A market square in the Normandy port of Dieppe is laid in with fluid washes of watercolour and gouache in violet and grey, figures and stalls suggested rather than described. In the 1880s Whistler made many small watercolours and oil panels of house fronts, streets and beaches on trips to Dieppe and elsewhere, intimate pictures that could be made quickly on the spot. The musical title, a habit of his, signals that the arrangement of colour matters more than topography.
Written by Ochre Editions.
How it was made
- Opaque watercolour
- Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
- Watercolour
- Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
James McNeill Whistler
American, 1834–1903 · Born in Lowell, Massachusetts; died in London.
Whistler spent part of his boyhood in Russia, left West Point without graduating and trained as a painter in Paris before settling in London in 1859. He held that a picture was an arrangement of colour and form, and named his works symphonies, harmonies and nocturnes; a hostile review of one nocturne led to his 1878 libel suit against John Ruskin. He was equally committed to etching, and in his Venice plates of 1879–80 he left films of ink on the copper to suggest water and dusk.
Written by Ochre Editions.
Rights and the museum’s record
Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 2000.512
- Credit
- Courtesy of The Metropolitan Museum of Art
- Type
- Watercolor
- Department
- The American Wing
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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