Operating on Guan Yu's Arm1840s
Ukiyo-e artists’ subject matter extended to popular literature. More about this work
About this work
Ukiyo-e artists’ subject matter extended to popular literature. Katsushika Ōi used color to great effect in her gruesome version of an episode from a 14th-century Chinese novel, Romance of the Three Kingdoms. Ōi portrayed the passage in which legendary 3rd-century military leader Guan Yu undergoes a bone scraping to remove poisons received from an arrow wound. In this sensationalist portrayal, Guan Yu’s attendants cower at the sight of his bloody arm while he remains unflinchingly focused on his game. As a woman, Ōi was an outlier in her era, but her talent was allowed to shine due to collaboration with her father, Katsushika Hokusai (1760–1849), the famed designer of the print known as The Great Wave .
Text from the Cleveland Museum of Art.
How it was made
- Hanging scroll
- A painting mounted on silk with a wooden roller at the foot. It was rolled up for storage and brought out to hang for a season, a guest or an occasion.
- Ink and colour on silk
- Silk was sized with glue and alum so it would hold a crisp brushline, and mineral colours were built up in thin layers. The sheen of the weave still shows through.
Katsushika Ōi
Japanese, c. 1800-after 1857
Rights and the museum’s record
Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- 1998.178
- Credit
- Courtesy of the Cleveland Museum of Art
- Type
- Painting
- Department
- Japanese Art
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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Close in colour
