Birds and Flowers, previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Kano Mitsunobu

Japanese, 1565–1608

Birds and Flowerslate 1500s

Pair of six-panel folding screens; ink, color, and gold on paper

Image: 155.5 x 340 cm (61 1/4 x 133 7/8 in.)

Courtesy of the Cleveland Museum of Art · 1948.128

The landscape depicted in this pair of screens follows a seasonal progression from right to left, starting with the blossoming plum of early spring and ending with late autumn peonies. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

The landscape depicted in this pair of screens follows a seasonal progression from right to left, starting with the blossoming plum of early spring and ending with late autumn peonies. A variety of smaller birds are positioned throughout the scene, and a trio of swimming ducks is bracketed by early summer irises and early autumn bellflowers at the center. While some raptors (birds of prey) terrorize a pheasant and an egret (a waterfowl) to the right, a peacock and peahen converse to the left. Hawks are associated with military prowess, while the peafowl suggest cultural prestige.

Text from the Cleveland Museum of Art.

How it was made

Folding screen
Panels joined by paper hinges, so the screen stands by itself in a zigzag. The picture runs across every panel, and screens were often made in pairs.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.

Kano Mitsunobu

Japanese, 1565–1608

Mitsunobu was the eldest son of Kanō Eitoku and led the Kanō school after his father’s death in 1590. He painted decorative screens and wall paintings for the great castles and residences of the Momoyama period, but moved away from his father’s monumental, forceful style towards softer, more delicate compositions with refined detail and a gentler, more lyrical mood.

Written by Ochre Editions.

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1948.128
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Japanese Art
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

Close in colour