Invocation to Love, previewed as a 20 by 16 inch giclée reproduction.

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Jean Honoré Fragonard

French, 1732–1806

Invocation to Lovec. 1781

Brush and brown wash with graphite squaring lines and underdrawing on cream laid paper

Sheet: 33.5 x 41.6 cm (13 3/16 x 16 3/8 in.); Secondary Support: 37.6 x 47.8 cm (14 13/16 x 18 13/16 in.)

Courtesy of the Cleveland Museum of Art · 1943.657

Fragonard used gardens as the setting for love and courtship in some of his most important works. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 16¾ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Fragonard used gardens as the setting for love and courtship in some of his most important works. One such scene, this drawing depicts a woman pleading for help from a statue of Eros, the god of love. He wears a blindfold, suggesting an uncertain outcome for the woman, as does a Cupid who indifferently leans on an orb nearby. Like other artists in 18th-century France, Fragonard was deeply influenced by historic imagery of the Garden of Love—a pastoral and idyllic contained landscape. He revisited the specific image seen here multiple times, in two oil paintings (Musée du Louvre and private collection, New York) and another drawing (Princeton University Art Museum).

Text from the Cleveland Museum of Art.

How it was made

Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Jean Honoré Fragonard

French, 1732–1806 · Born in Grasse; died in Paris.

Fragonard studied with Chardin and then Boucher, won the Prix de Rome and spent five years in Italy, where he drew the gardens of the Villa d’Este. Back in Paris he largely set aside official commissions to paint for private collectors: playful love scenes such as The Swing, rapidly brushed “fantasy figures” and luminous landscapes. The Revolution ended the taste for his art, and he spent his last years as an administrator of the new national museum at the Louvre.

Written by Ochre Editions.

See all 6 works by Jean Honoré Fragonard

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1943.657
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
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