Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmi, previewed as a 16 by 20 inch giclée reproduction.

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Muhammad ibn Badr al-Din Jajarmi

Iranian, active 1340s

Folio from a Mu'nis al-ahrar fi daqa'iq al-ash'ar (The Free Man's Companion to the Subtleties of Poems) of Jajarmidated 741 AH/1340–41 CE

Ink, opaque watercolor, and gold on paper

H. 7 1/2 in. (19.1 cm) W. 5 in. (12.7 cm)

Courtesy of The Metropolitan Museum of Art · 19.68.1

Muhammad ibn Badr al-Din Jajarmi painted this (dated 741 AH/1340–41 CE), aged about 25. It is now at The Met in New York. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 11¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Muhammad ibn Badr al-Din Jajarmi painted this (dated 741 AH/1340–41 CE), aged about 25. It is now at The Met in New York.

How it was made

Opaque watercolour
Watercolour made opaque with white or chalk and laid in flat, even layers. Persian and Indian painters ground their colours from minerals, applied them with the finest brushes and burnished the finished page.
Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Ink on paper
Ink made from soot and animal glue, ground with water on an inkstone. A single brush can give a hair-fine line or a broad wash, and nothing can be corrected.

Muhammad ibn Badr al-Din Jajarmi

Iranian, active 1340s

See all 2 works by Muhammad ibn Badr al-Din Jajarmi

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
19.68.1
Credit
Courtesy of The Metropolitan Museum of Art
Type
Codices
Department
Islamic Art
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