The Large Tree, previewed as a 20 by 16 inch giclée reproduction.

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Paul Gauguin

French, 1848–1903

The Large Tree1891

oil on canvas

Framed: 92.4 x 112.7 x 6.4 cm (36 3/8 x 44 3/8 x 2 1/2 in.); Unframed: 74 x 92.8 cm (29 1/8 x 36 9/16 in.)

Courtesy of the Cleveland Museum of Art · 1975.263

Disgusted with the materialism of European society, Gauguin abandoned his family and career as a stockbroker and departed for Tahiti in 1891. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 198 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¼ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Disgusted with the materialism of European society, Gauguin abandoned his family and career as a stockbroker and departed for Tahiti in 1891. This canvas is among the first paintings he completed on the island. Its rich colors and stylized figures were intended to be both symbolic and mysterious, evoking private thoughts and emotions. “I obtain symphonies,” he wrote, “harmonies that represent nothing real in the absolute sense of the word.”

Text from the Cleveland Museum of Art.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Paul Gauguin

French, 1848–1903 · Born in Paris; died in Atuona, Hiva Oa, Marquesas Islands.

Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions. At Pont-Aven in Brittany he developed a style of flat colour and bold outline, and in 1888 he spent nine turbulent weeks with Van Gogh in Arles. Seeking a simpler world, he sailed for Tahiti in 1891 and spent most of his remaining years in French Polynesia, dying in the Marquesas.

Written by Ochre Editions.

See all 10 works by Paul Gauguin

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1975.263
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
Modern European Painting and Sculpture
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