Head of a Tahitian Woman, previewed as a 16 by 20 inch giclée reproduction.

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Paul Gauguin

French, 1848–1903

Head of a Tahitian Woman1891

graphite with stumping and graphite wash on parchment

Sheet: 30.5 x 24.4 cm (12 x 9 5/8 in.)

Courtesy of the Cleveland Museum of Art · 1949.439

This drawing belongs to a group of highly finished portrait drawings of Tahitians made by Paul Gauguin shortly after his arrival in the South Seas. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 197 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13¾ × 17¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This drawing belongs to a group of highly finished portrait drawings of Tahitians made by Paul Gauguin shortly after his arrival in the South Seas. While getting used to this new place, Gauguin initially avoided painting, preferring first to familiarize himself with the landscape and people through observation and drawing. The meticulous quality of this graphite study suggests that it was made from life. The woman’s noble face and enigmatic expression allude to the spirituality and melancholy that Gauguin sought to conjure in his Polynesian work.

Text from the Cleveland Museum of Art.

How it was made

Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

Paul Gauguin

French, 1848–1903 · Born in Paris; died in Atuona, Hiva Oa, Marquesas Islands.

Gauguin worked as a Paris stockbroker and collected the Impressionists before taking up painting full time in the 1880s, showing in the last five Impressionist exhibitions. At Pont-Aven in Brittany he developed a style of flat colour and bold outline, and in 1888 he spent nine turbulent weeks with Van Gogh in Arles. Seeking a simpler world, he sailed for Tahiti in 1891 and spent most of his remaining years in French Polynesia, dying in the Marquesas.

Written by Ochre Editions.

See all 10 works by Paul Gauguin

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1949.439
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
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