Virgin and Child with Saints, previewed as a 20 by 16 inch giclée reproduction.

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Unknown maker

Virgin and Child with Saintsc. 1510

oil on wood

Framed: 109.5 x 149.9 x 9.5 cm (43 1/8 x 59 x 3 3/4 in.); Unframed: 77.8 x 118.7 cm (30 5/8 x 46 3/4 in.)

Courtesy of the Cleveland Museum of Art · 1916.796

What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 191 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 11½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

What are some of the key steps in conserving this picture? While it may seem disturbing, the condition of this work is not unusual for a 16th-century panel painting. Treatment was abandoned decades ago when the conservator who was cleaning the work left the museum. Brilliant colors and beautiful original passages remain, including expressive folds of red drapery and delicate flesh tones. New technical research could tell us more about how the panel was painted and subsequently treated. Identifying the artist is another key step that would help conservators reconstruct distinctive passages like hands and facial features. A painting by Francesco Bissolo in Munich (below) is closely related in subject and style and may provide some clues.

Text from the Cleveland Museum of Art.

How it was made

Oil on panel
Oil paint on prepared wooden boards, usually oak in the north and poplar in Italy. The rigid, smooth surface suits fine detail and thin, glowing glazes.
Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Renaissance

European art from about 1400 to 1600, when painters rediscovered perspective and the classical past.

More from Renaissance

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1916.796
Credit
Courtesy of the Cleveland Museum of Art
Type
Painting
Department
European Painting and Sculpture
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What's the concern?

Close in colour

Pietà

Moretto da Brescia, 1520s