Mezzetin, previewed as a 11 by 14 inch giclée reproduction.

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Antoine Watteau

French, 1684–1721

Mezzetinca. 1718–20

Oil on canvas

21 3/4 x 17 in. (55.2 x 43.2 cm)

Courtesy of The Metropolitan Museum of Art · 34.138

Mezzetin, a stock character of the Italian comedy, sits on a garden bench and sings to his guitar, head thrown back and eyes raised, his striped costume glowing against dark foliage. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 160 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
11 × 14 in · image 9½ × 12
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$38

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About this work

Mezzetin, a stock character of the Italian comedy, sits on a garden bench and sings to his guitar, head thrown back and eyes raised, his striped costume glowing against dark foliage. Behind him a stone statue of a woman turns her back, an ironic reply to his lovesick serenade. Watteau, who died at thirty-six, made the world of the theatre central to a new kind of painting, the fête galante, in which music, costume and longing mingle. The tension in the strumming hands and the flicker of light on the silk show his close study of figures drawn from life.

Written by Ochre Editions.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Antoine Watteau

French, 1684–1721 · Born in Valenciennes; died in Nogent-sur-Marne.

Watteau came to Paris from Valenciennes, worked with the theatre painter Claude Gillot and the decorator Claude Audran, and studied Rubens’s Medici cycle at the Luxembourg Palace. In 1717 the Academy received him with a new category, the fête galante, for his Pilgrimage to Cythera: elegant figures in parkland, often in theatre costume, touched with melancholy. His chalk drawings, frequently in red, black and white, are among the finest of the century. He died of tuberculosis at thirty-six.

Written by Ochre Editions.

See all 4 works by Antoine Watteau

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
34.138
Credit
Courtesy of The Metropolitan Museum of Art
Type
Paintings
Department
European Paintings
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