Century Plant, Jamaica, previewed as a 20 by 16 inch giclée reproduction.

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Frederic Edwin Church

American, 1826–1900

Century Plant, JamaicaMay–September 1865

Oil and graphite on paperboard

21.3 × 28.5 cm (8 3/8 × 11 1/4 in.)

Courtesy of Cooper Hewitt, Smithsonian Design Museum · 1917-4-675-b

Botanical sketch of agave (century) plant in Jamaica among nearby green and brown foliage. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Botanical sketch of agave (century) plant in Jamaica among nearby green and brown foliage. Pointed leaves of the plant are rendered with greater attention and detail than the hastily painted background. Other plants visible in immediate foreground.

Text from Cooper Hewitt, Smithsonian Design Museum.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

Frederic Edwin Church

American, 1826–1900 · Born in Hartford, Connecticut; died in New York.

Church studied with Thomas Cole in the Catskills and became the most celebrated American landscape painter of the mid-nineteenth century. He travelled to South America, the Arctic, Europe and the Near East in search of grand subjects, and pictures such as Heart of the Andes drew paying crowds when exhibited on their own in New York. Twilight in the Wilderness of 1860 is among his most admired American views. He later designed his own house, Olana, overlooking the Hudson River.

Written by Ochre Editions.

See all 8 works by Frederic Edwin Church

Hudson River School

American landscape painters of the mid-1800s who made wilderness their grand subject.

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Rights and the museum’s record

Public domain. Cooper Hewitt, Smithsonian Design Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1917-4-675-b
Credit
Courtesy of Cooper Hewitt, Smithsonian Design Museum
Type
Drawing
Department
Cooper Hewitt, Smithsonian Design Museum
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