Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
First room, north wall

Two Poplars in the Alpilles near Saint-RémyVincent van Gogh, 1889Courtesy of the Cleveland Museum of Art 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago
First room, south wall

André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art 
Fishing in Spring, the Pont de Clichy (Asnières)Vincent van Gogh, 1887Courtesy of the Art Institute of Chicago 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art 
At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago
Second room, south wall

Study for "A Sunday on La Grande Jatte"Georges Seurat, 1884Courtesy of The Metropolitan Museum of Art 
Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art 
Tahitian Faces (Frontal View and Profiles)Paul Gauguin, ca. 1899Courtesy of The Metropolitan Museum of Art
Second room, north wall

Equestrienne (At the Cirque Fernando)Henri de Toulouse-Lautrec, 1887–88Courtesy of the Art Institute of Chicago 
Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art
Third room, north wall

Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art 
Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art
Third room, south wall

At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art 
Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago