At the Concert Parisien, previewed as a 16 by 20 inch giclée reproduction.

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Georges Seurat

French, 1859–1891

At the Concert Parisien1887–88

conté crayon heightened with white chalk on cream handmade modern laid paper

Sheet: 31.4 x 23.6 cm (12 3/8 x 9 5/16 in.)

Courtesy of the Cleveland Museum of Art · 1958.344

Café-concerts were popular places of entertainment for the middle classes in Paris during the late 1800s and usually featured singers or other forms of vaudeville entertainers. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 13½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Café-concerts were popular places of entertainment for the middle classes in Paris during the late 1800s and usually featured singers or other forms of vaudeville entertainers. Georges Seurat created eight drawings depicting café-concerts, some showing known establishments. This drawing has an innovative viewpoint, in which we peer through the bowler hats of male viewers listening to a female singer on stage. Seurat typically used a black crayon manufactured by the Conté company, and its waxy quality allowed him to exploit the texture of paper to striking effect.

Text from the Cleveland Museum of Art.

How it was made

Chalk
Natural black, red and white chalks. Used together on toned paper they could give the warmth of flesh with very little effort, and they were favourites for studies from life.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Georges Seurat

French, 1859–1891 · Born and died in Paris.

Seurat trained at the École des Beaux-Arts and studied the colour theories of Chevreul and others before developing pointillism, building pictures from small, separate touches of pure colour meant to combine in the eye. His large compositions, planned through many drawings and oil sketches, include Bathers at Asnières and A Sunday on La Grande Jatte — 1884, shown at the last Impressionist exhibition in 1886. His black conté crayon drawings are equally distinctive. He died suddenly at thirty-one.

Written by Ochre Editions.

See all 8 works by Georges Seurat

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1958.344
Credit
Courtesy of the Cleveland Museum of Art
Type
Drawing
Department
Drawings
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