Fishing in Spring, the Pont de Clichy (Asnières), previewed as a 20 by 16 inch giclée reproduction.

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Vincent van Gogh

Dutch, 1853–1890

Fishing in Spring, the Pont de Clichy (Asnières)1887

Oil on canvas

50.5 × 60 cm (19 7/8 × 23 5/8 in.); Framed: 71.2 × 78.5 × 4.8 cm (28 × 30 7/8 × 1 7/8 in.)

Courtesy of the Art Institute of Chicago · 1965.1169

This painting is set on the river Seine at the Clichy Bridge near Asnières, a suburb north of Paris where Van Gogh painted on several occasions with his friend and fellow artist Paul Signac. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 16¼ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This painting is set on the river Seine at the Clichy Bridge near Asnières, a suburb north of Paris where Van Gogh painted on several occasions with his friend and fellow artist Paul Signac. Van Gogh was inspired by a technique Signac innovated called divisionism, in which, using science-based color theory, he painted distinct strokes of different colors of paint next to each other to make each color more luminous.

Text from the Art Institute of Chicago.

What you’re looking at

Painting in short strokes of pale blue, green, white, yellow, and pink, of a fisherman in one of two small boats on a river, a tree-lined bank and a bridge in the background.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Vincent van Gogh

Dutch, 1853–1890 · Born in Zundert; died in Auvers-sur-Oise.

Van Gogh worked as an art dealer, teacher and lay preacher before he turned to art in 1880, at twenty-seven. His early pictures of Dutch peasants are dark and heavy; in Paris from 1886 he met the Impressionists and Neo-Impressionists, and his palette brightened. In Arles in 1888–89 he painted with intense colour and thick, directional strokes, and he worked on at the asylum in Saint-Rémy and finally at Auvers-sur-Oise. The Poet’s Garden belongs to a group made to decorate Gauguin’s room in the Yellow House.

Written by Ochre Editions.

See all 14 works by Vincent van Gogh

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1965.1169
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
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