At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol), previewed as a 16 by 20 inch giclée reproduction.

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Henri de Toulouse-Lautrec

French, 1864–1901

At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)1899

Graphite, black and colored pastel, and charcoal on off-white heavy wove paper

13 3/4 x 9 13/16 in. (35 x 25 cm)

Courtesy of The Metropolitan Museum of Art · 1975.1.731

A circus horse performs the Spanish walk, lifting each foreleg high in an exaggerated stride under the control of its rider. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 12½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A circus horse performs the Spanish walk, lifting each foreleg high in an exaggerated stride under the control of its rider. Toulouse-Lautrec drew it in 1899 during his confinement in a clinic at Neuilly, part of a series of circus scenes recalled from memory to convince his doctors that he was fit to be released, as he soon was. Working in graphite, charcoal and coloured pastel, he captures the horse’s rhythm and the strange, theatrical poise of the act with spare, assured lines.

Written by Ochre Editions.

How it was made

Pastel
Sticks of almost pure pigment with very little binder. The colour sits on the paper as powder: bright, matte and fragile.
Charcoal
Burnt willow or vine. It smudges and wipes away easily, which made it the natural tool for working out a composition.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

Henri de Toulouse-Lautrec

French, 1864–1901 · Born in Albi; died in Saint-André-du-Bois.

Toulouse-Lautrec came from an aristocratic family in Albi; after two leg fractures in his teens his legs stopped growing, and he turned to art. Trained in Paris under Léon Bonnat and Fernand Cormon, he settled in Montmartre and recorded its dance halls, cabarets, circuses and brothels with quick, incisive line. His colour lithograph posters for the Moulin Rouge and its performers transformed the street poster. He died at the family’s Château de Malromé at the age of thirty-six.

Written by Ochre Editions.

See all 8 works by Henri de Toulouse-Lautrec

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1975.1.731
Credit
Courtesy of The Metropolitan Museum of Art
Type
Drawings
Department
Robert Lehman Collection
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