At the Circus: Trained Pony and Baboon, previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Henri de Toulouse-Lautrec

French, 1864–1901

At the Circus: Trained Pony and Baboon1899

Pastel and graphite on cream wove paper

43.9 × 26.7 cm (17 5/16 × 10 9/16 in.)

Courtesy of the Art Institute of Chicago · 1944.581

A trained pony and a baboon perform in the ring, drawn in pastel and graphite entirely from memory. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 10¾ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

A trained pony and a baboon perform in the ring, drawn in pastel and graphite entirely from memory. In 1899, after a breakdown brought on by alcoholism, Toulouse-Lautrec was confined to a clinic at Neuilly, outside Paris, and to show his doctors that his mind and hand were sound he made a series of some forty circus drawings, recalling acts he had watched for years. The odd, lonely spaces of many of these sheets give them an unsettling, dreamlike quality.

Written by Ochre Editions.

What you’re looking at

A work made of pastel and graphite on cream wove paper.

Description from the Art Institute of Chicago.

How it was made

Pastel
Sticks of almost pure pigment with very little binder. The colour sits on the paper as powder: bright, matte and fragile.
Graphite
Pencil. Graphite has been used for drawing since the 1500s; in 1795 Nicolas-Jacques Conté mixed it with clay, so its hardness could be graded.

Henri de Toulouse-Lautrec

French, 1864–1901 · Born in Albi; died in Saint-André-du-Bois.

Toulouse-Lautrec came from an aristocratic family in Albi; after two leg fractures in his teens his legs stopped growing, and he turned to art. Trained in Paris under Léon Bonnat and Fernand Cormon, he settled in Montmartre and recorded its dance halls, cabarets, circuses and brothels with quick, incisive line. His colour lithograph posters for the Moulin Rouge and its performers transformed the street poster. He died at the family’s Château de Malromé at the age of thirty-six.

Written by Ochre Editions.

See all 8 works by Henri de Toulouse-Lautrec

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

More from Post-Impressionism

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1944.581
Credit
Courtesy of the Art Institute of Chicago
Type
Drawing and Watercolor
Department
Prints and Drawings
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Henri de Toulouse-Lautrec

All their works

Close in colour