Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
First room, north wall

Self-Portrait with a Straw Hat (obverse: The Potato Peeler)Vincent van Gogh, 1887Courtesy of The Metropolitan Museum of Art 
Ia Orana Maria (Hail Mary)Paul Gauguin, 1891Courtesy of The Metropolitan Museum of Art 
The Vase of TulipsPaul Cézanne, c. 1890Courtesy of the Art Institute of Chicago 
Weeping TreeVincent van Gogh, 1889Courtesy of the Art Institute of Chicago
First room, south wall

Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago 
The Basket of ApplesPaul Cézanne, c. 1893Courtesy of the Art Institute of Chicago 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago
Second room, south wall

The Englishman (William Tom Warrener, 1861–1934) at the Moulin RougeHenri de Toulouse-Lautrec, 1892Courtesy of The Metropolitan Museum of Art 
Road in EttenVincent van Gogh, 1881Courtesy of The Metropolitan Museum of Art
Second room, north wall

A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
In the Waves (Dans les Vagues)Paul Gauguin, 1889Courtesy of the Cleveland Museum of Art
Third room, north wall

Mount Sainte-VictoirePaul Cézanne, c. 1904Courtesy of the Cleveland Museum of Art 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago 
Circus Sideshow (Parade de cirque)Georges Seurat, 1887–88Courtesy of The Metropolitan Museum of Art
Third room, south wall

The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago 
Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art