Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

Trees (study for La Grande Jatte)Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
Hercules RestingPaul Cézanne, 1897Courtesy of the Art Institute of Chicago 
Final Study for "Bathers at Asnières"Georges Seurat, 1883Courtesy of the Art Institute of Chicago 
IrisesVincent van Gogh, 1890Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Still-Life with a Watermelon and PomegranatesPaul Cézanne, 1900–1906Courtesy of The Metropolitan Museum of Art 
Woman with a CatPaul Gauguin, c. 1900Courtesy of the Art Institute of Chicago 
Arlésiennes (Mistral)Paul Gauguin, 1888Courtesy of the Art Institute of Chicago
Section 2, south wall

The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art 
A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
Avenue of Pollard Birches and PoplarsVincent van Gogh, March 1884Courtesy of the Art Institute of Chicago
Section 2, north wall

Aman-Jean (Portrait of Edmond François Aman-Jean)Georges Seurat, 1882–83Courtesy of The Metropolitan Museum of Art 
The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago 
Oil Sketch for "A Sunday on La Grande Jatte — 1884"Georges Seurat, 1884Courtesy of the Art Institute of Chicago 
Flower CloudsOdilon Redon, c. 1903Courtesy of the Art Institute of Chicago
Section 3, north wall

Corridor in the AsylumVincent van Gogh, September 1889Courtesy of The Metropolitan Museum of Art 
The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art