The Card Players, previewed as a 20 by 16 inch giclée reproduction.

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Paul Cézanne

French, 1839–1906

The Card Players1890–92

Oil on canvas

25 3/4 x 32 1/4 in. (65.4 x 81.9 cm)

Courtesy of The Metropolitan Museum of Art · 61.101.1

Three farmhands sit at a table absorbed in a game of cards, while a fourth man, pipe in mouth, stands watching behind them. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17 × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Three farmhands sit at a table absorbed in a game of cards, while a fourth man, pipe in mouth, stands watching behind them. Cézanne painted a series of card players in the early 1890s, using labourers from his family’s estate near Aix-en-Provence as models, and he stripped the traditional tavern scene of anecdote and noise. There is no gambling, drinking or quarrelling here, only stillness and concentration, and the figures are built up like solid architecture from blocks of earthy colour.

Written by Ochre Editions.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Paul Cézanne

French, 1839–1906 · Born and died in Aix-en-Provence.

Cézanne divided his life between Paris and his native Aix-en-Provence. Encouraged by his schoolfriend Émile Zola and later by Pissarro, with whom he painted at Pontoise and Auvers in the 1870s, he showed at the first and third Impressionist exhibitions. He then withdrew to Provence and worked towards a more structured art, building form from patches of colour in still lifes, bathers and repeated views of Mont Sainte-Victoire. Younger painters, Picasso and Braque among them, saw him as a founder of modern painting.

Written by Ochre Editions.

See all 13 works by Paul Cézanne

Post-Impressionism

Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.

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Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
61.101.1
Credit
Courtesy of The Metropolitan Museum of Art
Type
Paintings
Department
European Paintings
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