A Young Lady with a Parrot, previewed as a 16 by 20 inch giclée reproduction.

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Rosalba Carriera

Italian, 1673–1757

A Young Lady with a Parrotc. 1730

Pastel on blue laid paper, mounted on laminated paper board

60 × 50 cm (23 5/8 × 19 11/16 in.)

Courtesy of the Art Institute of Chicago · 1985.40

Rosalba Carriera, or simply Rosalba, as she was known, was a shrewd judge of character; she enhanced but never obscured the appearance of her sitters. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 16½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

Rosalba Carriera, or simply Rosalba, as she was known, was a shrewd judge of character; she enhanced but never obscured the appearance of her sitters. This pastel may depict a young Englishwoman, perhaps one of the daughters of Lord Manchester. Whoever the model, this image’s aura of grace and seduction would characterize the arts of much of the 18th century, marking Rosalba as one of the originators of the Rococo style in Italy and France.

Text from the Art Institute of Chicago.

What you’re looking at

A pastel drawing of woman in blue and pink dress with blue parrot.

Description from the Art Institute of Chicago.

How it was made

Pastel
Sticks of almost pure pigment with very little binder. The colour sits on the paper as powder: bright, matte and fragile.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Rosalba Carriera

Italian, 1673–1757

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1985.40
Credit
Courtesy of the Art Institute of Chicago
Type
Drawing and Watercolor
Department
Prints and Drawings
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Edward Mitchell Bannister, n.d.