The Song of the Lark, previewed as a 16 by 20 inch giclée reproduction.

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Jules Breton

French, 1827–1906

The Song of the Lark1884

Oil on canvas

110.6 × 85.8 cm (43 1/2 × 33 3/4 in.); Framed: 142.3 × 116.9 cm (56 × 46 in.)

Courtesy of the Art Institute of Chicago · 1894.1033

This painting by Jules Adolphe Breton was among the first to enter the Art Institute's collection when the museum opened in 1893. It quickly became one of the most popular paintings at the museum. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This painting by Jules Adolphe Breton was among the first to enter the Art Institute's collection when the museum opened in 1893. It quickly became one of the most popular paintings at the museum. By the 1920s, reproductions were hanging on classroom walls across the United States. In 1934, it was named “America’s Best Loved Picture” in a contest sponsored by the Chicago Daily News .

Text from the Art Institute of Chicago.

What you’re looking at

A work made of oil on canvas.

Description from the Art Institute of Chicago.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Jules Breton

French, 1827–1906

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1894.1033
Credit
Courtesy of the Art Institute of Chicago
Type
Painting
Department
Painting and Sculpture of Europe
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Cows

Edward Mitchell Bannister, n.d.

Allegory

Pietro degli Ingannati, c. 1515-1525