Post-Impressionism
Artists who kept Impressionism's colour but pushed towards structure, symbol and feeling.
Section 1, north wall

At the Circus: The Bareback Rider (Au Cirque: Écuyère)Henri de Toulouse-Lautrec, 1888Courtesy of the Art Institute of Chicago 
At the Circus: Trained Pony and BaboonHenri de Toulouse-Lautrec, 1899Courtesy of the Art Institute of Chicago 
Monsieur Boileau at the CaféHenri de Toulouse-Lautrec, 1893Courtesy of the Cleveland Museum of Art 
At the Circus: The Spanish Walk (Au Cirque: Le Pas espagnol)Henri de Toulouse-Lautrec, 1899Courtesy of The Metropolitan Museum of Art
Section 1, south wall

Madame Cezanne in a Yellow ChairPaul Cézanne, 1888–90Courtesy of the Art Institute of Chicago 
The Large TreePaul Gauguin, 1891Courtesy of the Cleveland Museum of Art
Section 2, south wall

A Sunday on La Grande Jatte — 1884Georges Seurat, 1884–86, border added 1888–89Courtesy of the Art Institute of Chicago 
Bather With Outstretched Arms (recto); Study of a Tree (verso)Paul Cézanne, 1874/77Courtesy of the Art Institute of Chicago 
OrpheusOdilon Redon, c. 1903–10Courtesy of the Cleveland Museum of Art
Section 2, north wall

André BénacÉdouard Vuillard, 1936Courtesy of the Cleveland Museum of Art 
Still Life with Apples and a Pot of PrimrosesPaul Cézanne, ca. 1890Courtesy of The Metropolitan Museum of Art 
The Bay of Marseille, Seen from L'EstaquePaul Cézanne, c. 1885Courtesy of the Art Institute of Chicago
Section 3, north wall

Wheat Field with CypressesVincent van Gogh, 1889Courtesy of The Metropolitan Museum of Art 
BathersPaul Cézanne, 1890–1900Courtesy of the Art Institute of Chicago 
The Card PlayersPaul Cézanne, 1890–92Courtesy of The Metropolitan Museum of Art 
At the Concert ParisienGeorges Seurat, 1887–88Courtesy of the Cleveland Museum of Art