Seated Female Nude, previewed as a 16 by 20 inch giclée reproduction.

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Rembrandt van Rijn

Dutch, 1606–1669

Seated Female Nude1660/62

Pen and brown ink and brush and brown wash, with subtractive highlights (scraping) and touches of opaque white watercolor corrections, on ivory laid paper, laid down on cream laid card

Primary/secondary supports: 21.2 × 17.5 cm (8 3/8 × 6 15/16 in.)

Courtesy of the Art Institute of Chicago · 1953.38

A nude woman sits on a low stool, her head bowed, drawn with a few rapid pen lines and broad sweeps of brown wash. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 13¾ × 16¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A nude woman sits on a low stool, her head bowed, drawn with a few rapid pen lines and broad sweeps of brown wash. Rembrandt drew from the model with his pupils in the studio, and he rejected the idealised bodies of classical art in favour of real, unglamorous flesh, a choice that troubled some later critics. Scraped highlights and touches of white correction show him reworking the sheet as he went, capturing the weight of the body and the fall of light with startling economy.

Written by Ochre Editions.

What you’re looking at

Brown-tone drawing of a nude woman seated on a small stool, looking downward.

Description from the Art Institute of Chicago.

How it was made

Watercolour
Pigment in gum arabic, thinned with water and laid in transparent washes. Nothing white is painted: the light is the paper showing through.
Pen and ink
Drawn with a quill or reed pen, often with wash added by brush to model light and shadow.
Laid paper
Handmade on a mould of close-set wires, which leave fine parallel lines you can see when the sheet is held to the light.

Rembrandt van Rijn

Dutch, 1606–1669 · Born in Leiden; died in Amsterdam.

Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist. His later work grows rougher and more searching, with thick paint, deep shadow and faces that seem lost in thought, as in Aristotle with a Bust of Homer, painted for a Sicilian collector. He was also the leading etcher of his age, reworking plates through many states and making the medium as expressive as painting.

Written by Ochre Editions.

See all 14 works by Rembrandt van Rijn

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1953.38
Credit
Courtesy of the Art Institute of Chicago
Type
Drawing and Watercolor
Department
Prints and Drawings
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