Christ Crucified between the Two Thieves: The Three Crosses, previewed as a 20 by 16 inch giclée reproduction.

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Rembrandt van Rijn

Dutch, 1606–1669

Christ Crucified between the Two Thieves: The Three Crosses1653

Drypoint printed on vellum

Plate: 15 x 17 1/4 in. (38.1 x 43.8 cm) Sheet: 15 1/8 x 17 7/16 in. (38.4 x 44.3 cm) Mount: 22 x 28 in. (55.9 x 71.1 cm)

Courtesy of The Metropolitan Museum of Art · 41.1.31

A shaft of light pours down on the crucified Christ between the two thieves, illuminating the grieving figures at the foot of the cross, while darkness closes in at the edges. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 15½ × 13½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A shaft of light pours down on the crucified Christ between the two thieves, illuminating the grieving figures at the foot of the cross, while darkness closes in at the edges. Rembrandt worked this large plate in drypoint, scratching directly into the copper, which produces rich, velvety lines but wears down quickly; he later reworked it dramatically, changing the composition. This impression is printed on vellum, which holds ink differently from paper and gives the dark passages a soft, glowing quality. It is among the most powerful religious images in printmaking.

Written by Ochre Editions.

How it was made

Drypoint
Lines scratched straight into the plate with a needle throw up a ridge of metal, the burr, which holds ink and prints a soft, furred line. The burr wears down, so early impressions are the richest.

Rembrandt van Rijn

Dutch, 1606–1669 · Born in Leiden; died in Amsterdam.

Rembrandt trained in Leiden and Amsterdam, settled in Amsterdam in the early 1630s and became the city’s most sought-after portraitist. His later work grows rougher and more searching, with thick paint, deep shadow and faces that seem lost in thought, as in Aristotle with a Bust of Homer, painted for a Sicilian collector. He was also the leading etcher of his age, reworking plates through many states and making the medium as expressive as painting.

Written by Ochre Editions.

See all 14 works by Rembrandt van Rijn

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
41.1.31
Credit
Courtesy of The Metropolitan Museum of Art
Type
Prints
Department
Drawings and Prints
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