Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 1862, previewed as a 20 by 16 inch giclée reproduction.

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Winslow Homer

American, 1836–1910

Our Army before Yorktown, Virginia, from Harper's Weekly, May 3, 18621862

wood engraving on paper

image: 13 3/4 x 20 3/4 in. (34.9 x 52.7 cm) irregular

Courtesy of the Smithsonian American Art Museum · 1996.63.116

This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 168 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
20 × 16 in · image 17¾ × 12½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This wood engraving, published in Harper’s Weekly on May 3, 1862, shows Union forces during the siege of Yorktown, Virginia, early in General McClellan’s Peninsula Campaign. Winslow Homer, then a young illustrator, had travelled with the army that spring, and his drawings were cut into woodblocks by professional engravers in New York so they could be printed with the weekly’s text. Such images brought the war into American homes and gave Homer the close knowledge of soldiers’ lives that shaped his first paintings.

Written by Ochre Editions.

How it was made

Engraving
Lines cut directly into a metal plate with a steel burin, which makes them swell and taper. It took years to master, and for centuries it was how paintings travelled as pictures.

Winslow Homer

American, 1836–1910 · Born in Boston, Massachusetts; died in Prouts Neck, Maine.

Homer began as an illustrator, covering the Civil War for Harper’s Weekly, and first made his name in painting with scenes of soldiers and country life. A stay at the fishing village of Cullercoats on the English coast in 1881–82 turned him towards the sea, and from 1883 he lived at Prouts Neck, Maine, painting the Atlantic in all weathers. He was also a fluent watercolourist in the Adirondacks, Canada and the Caribbean, and The Gulf Stream draws on those southern journeys.

Written by Ochre Editions.

See all 16 works by Winslow Homer

Rights and the museum’s record

Public domain. The Smithsonian American Art Museum has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1996.63.116
Credit
Courtesy of the Smithsonian American Art Museum
Type
Graphic Arts-Print
Department
Graphic Arts
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