Ochre Editions
SearchSign inCart (0)

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

172 works · hang 8985 ·

The rooms are imagined; every work on their walls is real.

Walk this roomRehang this room

Section 1, north wall

  1. A work made of color woodblock print; chuban.
    A Spring OutingSuzuki Harunobu, c. 1768Courtesy of the Art Institute of Chicago
  2. Yamauba and Kintarō Playing with a Cherry, by Kitagawa Utamaro, ca. 1795
    Yamauba and Kintarō Playing with a CherryKitagawa Utamaro, ca. 1795Courtesy of The Metropolitan Museum of Art
  3. A work made of color woodblock print.
    Actor Onoe Matsusuke I as Retired Emperor SutokuKatsukawa Shunkо̄, About 1780Courtesy of the Art Institute of Chicago

Section 1, south wall

  1. Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no Funabashi, by Shunkōsai Hokushū, 1822
    Kabuki Actors Asao Yūjirō as Sano Genzaemon and Ichikawa Ebijūrō I as Miura Arajirō, in the play Keisei Sano no FunabashiShunkōsai Hokushū, 1822Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; oban.
    The Ninth Month, from the series Five Amorous Festivals of Love (Aibore iro no gosekku)Kitagawa Utamaro, 1801Courtesy of the Art Institute of Chicago
  3. A work made of color woodblock print; oban.
    Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"Katsushika Hokusai, c. 1830/33Courtesy of the Art Institute of Chicago

Section 2, south wall

  1. A work made of hand-colored woodblock print; vertical oban diptych, sumizuri-e.
    The Actor Onoe Kikugoro I holding a puppet of the Actor Sanogawa Ichimatsu IIshikawa Toyonobu, c. 1740sCourtesy of the Art Institute of Chicago
  2. Print showing a string of travelers with horses walking along a narrow hillside path beneath an enormous craggy beige mountain at left and an equally massive and craggy deep-blue mountain at right. A brown snow-covered peak appears between these mountains. A mass of cream-colored clouds and a river with rounded ripples fill the middle plane of the composition.
    The Back of Mount Fuji Seen from Minobu River (Minobugawa Urafuji), from the series Thirty-Six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, 1830-33Courtesy of the Art Institute of Chicago
  3. The Actor Morita Kanya VIII as Tatsugorō, by Katsukawa Shun'ei, 1794 (Kansei 6)
    The Actor Morita Kanya VIII as TatsugorōKatsukawa Shun'ei, 1794 (Kansei 6)Courtesy of The Metropolitan Museum of Art

Section 2, north wall

  1. The Monkey Bridge, by Katsushika Taito II, early 1830s
    The Monkey BridgeKatsushika Taito II, early 1830sCourtesy of the Cleveland Museum of Art
  2. Young Woman Looking at a Pot of Pinks, by Suzuki Harunobu, c. 1767
    Young Woman Looking at a Pot of PinksSuzuki Harunobu, c. 1767Courtesy of the Cleveland Museum of Art
  3. The Doll Festival, Third Day of the Third Month, by Kubo Shunman, 19th century
    The Doll Festival, Third Day of the Third MonthKubo Shunman, 19th centuryCourtesy of The Metropolitan Museum of Art

Section 3, north wall

  1. Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), by Katsushika Hokusai, ca. 1830–32
    Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)Katsushika Hokusai, ca. 1830–32Courtesy of The Metropolitan Museum of Art
  2. A work made of color woodblock print; surimono.
    PeoniesKitagawa Utamaro, n.d.Courtesy of the Art Institute of Chicago

Section 3, south wall

  1. Kametani Jujiro as the Shirabyoshi Dancer Yuya, by Torii Kiyomitsu, c. early 1760s
    Kametani Jujiro as the Shirabyoshi Dancer YuyaTorii Kiyomitsu, c. early 1760sCourtesy of the Cleveland Museum of Art
  2. A work made of color woodblock print; oban.
    In The Mood for a Walk (Yuho ga shitaso), from the series "Thirty-two Aspects of Women (Fuzoku sanjuniso)"Tsukioka Yoshitoshi, 1888Courtesy of the Art Institute of Chicago