Young Woman Looking at a Pot of Pinks, previewed as a 16 by 20 inch giclée reproduction.

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Suzuki Harunobu

Japanese, 1725–1770

Young Woman Looking at a Pot of Pinksc. 1767

color woodblock print, with embossing

Sheet: 27 x 19.2 cm (10 5/8 x 7 9/16 in.)

Courtesy of the Cleveland Museum of Art · 1985.304

A girl steps onto a veranda after a bath to look at a pot of pinks. A warm breeze stirs the poem-strip tied to the windbell above her. Irises bloom in the pool in the background. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 193 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
16 × 20 in · image 12½ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

A girl steps onto a veranda after a bath to look at a pot of pinks. A warm breeze stirs the poem-strip tied to the windbell above her. Irises bloom in the pool in the background. The print has been identified as the summer subject in a set of four flowers representing each season and is considered to be one of Harunobu’s most enchanting designs. One of the most celebrated and productive of all ukiyo-e artists, Harunobu is widely recognized as the first Japanese printmaker to create designs by printing each color in the image with a different block. These prints came to be known as nishiki-e, or brocade pictures, suggesting their resemblance to the gorgeous brocades worn at the time. The embossing on the waves in the stream and on the flowers was created by using unpigmented blocks during the printing process.

Text from the Cleveland Museum of Art.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.

Suzuki Harunobu

Japanese, 1725–1770

Harunobu was the first great master of the full-colour woodblock picture, or nishiki-e, which developed in Edo around 1765 out of privately commissioned calendar designs. Working mostly in the small chūban format, he favoured slender, youthful figures in intimate scenes, often with subtle allusions to classical poetry. In the few years before his death he produced hundreds of designs, and his delicate style shaped the work of a generation.

Written by Ochre Editions.

See all 14 works by Suzuki Harunobu

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

More from Ukiyo-e

Rights and the museum’s record

Public domain. The Cleveland Museum of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1985.304
Credit
Courtesy of the Cleveland Museum of Art
Type
Print
Department
Japanese Art
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