Lovers Walking in the Snow (Crow and Heron), previewed as a 11 by 14 inch giclée reproduction.

Look closer

See it on a wall

Suzuki Harunobu

Japanese, 1725–1770

Lovers Walking in the Snow (Crow and Heron)1764–72

Woodblock print; ink and color on paper, with embossing (karazuri)

H. 11 1/4 in. (28.6 cm); W. 8 1/8 in. (20.6 cm) medium-size print (chu-ban)

Courtesy of The Metropolitan Museum of Art · JP2453

A young man and woman share a single umbrella as they walk through falling snow, one dressed in black and the other in white, which gives the print its nickname, Crow and Heron. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 162 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
11 × 14 in · image 9 × 12¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$38

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

A young man and woman share a single umbrella as they walk through falling snow, one dressed in black and the other in white, which gives the print its nickname, Crow and Heron. Suzuki Harunobu led the first designers of full-colour woodblock prints, known as brocade pictures, from about 1765, and he favoured slender, delicate figures and poetic subjects. Here the white snow and garments are left as bare paper, enhanced by blind embossing that raises the texture of the paper itself.

Written by Ochre Editions.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.

Suzuki Harunobu

Japanese, 1725–1770

Harunobu was the first great master of the full-colour woodblock picture, or nishiki-e, which developed in Edo around 1765 out of privately commissioned calendar designs. Working mostly in the small chūban format, he favoured slender, youthful figures in intimate scenes, often with subtle allusions to classical poetry. In the few years before his death he produced hundreds of designs, and his delicate style shaped the work of a generation.

Written by Ochre Editions.

See all 14 works by Suzuki Harunobu

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

More from Ukiyo-e

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
JP2453
Credit
Courtesy of The Metropolitan Museum of Art
Type
Prints
Department
Asian Art
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Suzuki Harunobu

All their works

Close in colour