Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei), previewed as a 20 by 16 inch giclée reproduction.

Look closer

See it on a wall

Katsushika Hokusai

Japanese, 1760–1849

Under the Wave off Kanagawa (Kanagawa oki nami ura), also known as The Great Wave, from the series Thirty-six Views of Mount Fuji (Fugaku sanjūrokkei)ca. 1830–32

Woodblock print; ink and color on paper

10 1/8 x 14 15/16 in. (25.7 x 37.9 cm)

Courtesy of The Metropolitan Museum of Art · JP1847

The most famous image in Japanese art pits human fragility against the force of nature: boatmen bend to their oars beneath a wall of water whose fingers of foam reach down towards them, while Mount Fuji, the sacred mountain, sits calm and tiny in the distance. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 12
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

The most famous image in Japanese art pits human fragility against the force of nature: boatmen bend to their oars beneath a wall of water whose fingers of foam reach down towards them, while Mount Fuji, the sacred mountain, sits calm and tiny in the distance. Hokusai designed it around 1830–32 for his series Thirty-Six Views of Mount Fuji. When Japanese prints reached Europe later in the century, the Great Wave captivated artists and composers alike: Van Gogh wrote admiringly of its claw-like waves, and Debussy chose it for the cover of the first edition of La Mer.

Written by Ochre Editions.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.

Katsushika Hokusai

Japanese, 1760–1849

Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years. Alongside book illustration, paintings and the sketch volumes known as Hokusai Manga, he made landscape a leading subject of ukiyo-e with Thirty-six Views of Mount Fuji, issued around 1830–33, in which the mountain appears from city, coast and countryside, often in the newly imported Prussian blue.

Written by Ochre Editions.

See all 20 works by Katsushika Hokusai

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

More from Ukiyo-e

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
JP1847
Credit
Courtesy of The Metropolitan Museum of Art
Type
Prints
Department
Asian Art
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Katsushika Hokusai

All their works

Close in colour