Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)", previewed as a 16 by 20 inch giclée reproduction.

Look closer

See it on a wall

Katsushika Hokusai

Japanese, 1760–1849

Amida Falls in the Far Reaches of the Kisokaido (Kisoji no oku Amidagataki), from the series "A Tour of Waterfalls in Various Provinces (Shokoku taki meguri)"About 1833

Color woodblock print; ōban

Approx: 38.2 × 25.4 cm (15 × 10 in.)

Courtesy of the Art Institute of Chicago · 1925.3394

The Amida Falls, deep in the mountains along the Kiso Road, pour from the top of a sheer cliff, their name evoking the Buddha Amida. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
16 × 20 in · image 12¼ × 17½
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

The Amida Falls, deep in the mountains along the Kiso Road, pour from the top of a sheer cliff, their name evoking the Buddha Amida. Hokusai turns the water into a column of patterned lines and the rocks into bold, almost abstract shapes, while small figures rest on a ledge to one side, giving a sense of the scale of the place. The print belongs to A Tour of Waterfalls in Various Provinces, a series of eight designs published around 1833, in which he treated falling water with endless invention.

Written by Ochre Editions.

What you’re looking at

A work made of color woodblock print; ōban.

Description from the Art Institute of Chicago.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.
Ōban
The standard large Japanese print size, about 38 × 25 cm.

Katsushika Hokusai

Japanese, 1760–1849

Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years. Alongside book illustration, paintings and the sketch volumes known as Hokusai Manga, he made landscape a leading subject of ukiyo-e with Thirty-six Views of Mount Fuji, issued around 1830–33, in which the mountain appears from city, coast and countryside, often in the newly imported Prussian blue.

Written by Ochre Editions.

See all 20 works by Katsushika Hokusai

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

More from Ukiyo-e

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1925.3394
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Arts of Asia
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Katsushika Hokusai

All their works

Close in colour