Grasshopper and Irislate 1820s
A grasshopper clings to a stem of iris beneath its blossoms, the sword-like leaves sweeping upward. More about this work
About this work
A grasshopper clings to a stem of iris beneath its blossoms, the sword-like leaves sweeping upward. Hokusai designed a set of smaller flower prints, each pairing a plant with an insect or bird, and they show the same sharp observation and graphic boldness as his landscapes. Fluid outlines and areas of delicately graded colour turn a scrap of garden into a complete composition.
Written by Ochre Editions.
How it was made
- Colour woodblock print
- In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.
Katsushika Hokusai
Japanese, 1760–1849
Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years. Alongside book illustration, paintings and the sketch volumes known as Hokusai Manga, he made landscape a leading subject of ukiyo-e with Thirty-six Views of Mount Fuji, issued around 1830–33, in which the mountain appears from city, coast and countryside, often in the newly imported Prussian blue.
Written by Ochre Editions.
Ukiyo-e
Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.
Rights and the museum’s record
Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.
- Object number
- JP747
- Credit
- Courtesy of The Metropolitan Museum of Art
- Type
- Prints
- Department
- Asian Art
- Licence
- CC0 1.0 Universal
- Museum record
- See it on the museum’s site
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