Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)", previewed as a 20 by 16 inch giclée reproduction.

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Katsushika Hokusai

Japanese, 1760–1849

Snowy Morning from Koishikawa (Koishikawa yuki no ashita), from the series "Thirty-six Views of Mount Fuji (Fugaku sanjurokkei)"c. 1830/33

Color woodblock print; oban

25.6 × 37.5 cm (10 1/16 × 14 3/4 in.)

Courtesy of the Art Institute of Chicago · 1925.3262

After a snowfall, figures in a teahouse on the heights of Koishikawa in Edo look out across white rooftops towards a pale Mount Fuji, while birds wheel in the clear sky. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 12
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

After a snowfall, figures in a teahouse on the heights of Koishikawa in Edo look out across white rooftops towards a pale Mount Fuji, while birds wheel in the clear sky. Hokusai included this quiet winter scene in Thirty-Six Views of Mount Fuji, and it shows his gift for building a whole season’s mood from a few elements: the hush of fresh snow, the cold blue sky and the warmth of human company. The series, published around 1830–33, made landscape one of the great subjects of Japanese printmaking.

Written by Ochre Editions.

What you’re looking at

A work made of color woodblock print; oban.

Description from the Art Institute of Chicago.

How it was made

Colour woodblock print
In Japan these were a team effort. The artist drew the design, a carver cut it into cherry-wood blocks, one block for each colour, and a printer brushed on the pigment and rubbed each sheet by hand. Full-colour prints of this kind were called nishiki-e, “brocade pictures”, from the 1760s on.
Ōban
The standard large Japanese print size, about 38 × 25 cm.

Katsushika Hokusai

Japanese, 1760–1849

Hokusai trained in the studio of the actor-portraitist Katsukawa Shunshō and went on to work under more than thirty names across a career of some seventy years. Alongside book illustration, paintings and the sketch volumes known as Hokusai Manga, he made landscape a leading subject of ukiyo-e with Thirty-six Views of Mount Fuji, issued around 1830–33, in which the mountain appears from city, coast and countryside, often in the newly imported Prussian blue.

Written by Ochre Editions.

See all 20 works by Katsushika Hokusai

Ukiyo-e

Japanese woodblock prints of the floating world: actors, courtesans, landscapes and the sea.

More from Ukiyo-e

Rights and the museum’s record

Public domain. The Art Institute of Chicago has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
1925.3262
Credit
Courtesy of the Art Institute of Chicago
Type
Print
Department
Arts of Asia
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