The United States Frigate "President" Engaging the British Squadron, 1815, previewed as a 20 by 16 inch giclée reproduction.

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Fitz Henry Lane

1804–1865

The United States Frigate "President" Engaging the British Squadron, 18151850

oil on canvas

overall: 71.12 × 106.68 cm (28 × 42 in.) framed: 89.85 × 125.1 × 6.03 cm (35 3/8 × 49 1/4 × 2 3/8 in.)

Courtesy National Gallery of Art, Washington · 2014.136.82

Fitz Henry Lane painted this in 1850, aged 46. It is now at the National Gallery of Art in Washington, DC. More about this work

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Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size
Size
20 × 16 in · image 17¾ × 11¾
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$56

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About this work

This painting shows a maritime landscape with an expansive view of the ocean and sky. The horizon is positioned in the lower third of the composition, meeting a clear sky with soft, diffused clouds. Two ships appear to be engaged in a conflict on the green, wave-filled water. One large sailing ship with fully extended sails is near the bottom right corner of the painting. It has two tall masts and multiple white sails, and it flies the flag of the U.S.A in several places. The body of this ship is gray with a wide white stripe, and cannons stick out of small holes across the ship. Small people climb on ropes up into the sails, which are covered in small white and gray dots, perhaps indicating holes. Another ship is visible in the distance on the left side of the painting, and its cannons appear to be firing, with bursts of yellow flame and smoke drifting across the water. This ship flies several flags in shades of red, blue, and white. In the background, the faint gray silhouettes of other ships can be seen across the water. The ocean is depicted with smooth brushstrokes in shades of green and white, and the wide sky is a gradient, with light blue at the top and pale yellow towards the horizon. Faint white clouds drift in the top left corner of the painting.

Description from the National Gallery of Art.

Fitz Henry Lane painted this in 1850, aged 46. It is now at the National Gallery of Art in Washington, DC.

How it was made

Oil paint
Pigment ground in a drying oil, usually linseed. It dries slowly, so painters could blend on the canvas, build up thin translucent glazes, and rework a picture over weeks. Canvas replaced wooden panels in the 1500s because it is lighter and can be rolled.

Fitz Henry Lane

1804–1865

See all 2 works by Fitz Henry Lane

Rights and the museum’s record

Public domain. The National Gallery of Art has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
2014.136.82
Credit
Courtesy National Gallery of Art, Washington
Type
Painting
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