Phaeton, from "The Four Disgracers", previewed as a 12 by 16 inch giclée reproduction.

Look closer

See it on a wall

Hendrick Goltzius

Dutch, 1558–1617

Phaeton, from "The Four Disgracers"1588

Engraving

Diameter: 13 3/16 in. (33.5 cm)

Courtesy of The Metropolitan Museum of Art · 53.601.338(5)

Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening. More about this work

See it in the galleries

Format

Archival pigment inks on Hahnemühle Photo Rag, a 308 gsm cotton paper, with a white border.

Size

At this size the museum's file prints at 184 ppi: sharp at arm's length, a little softer than the smaller sizes up close.

Size
12 × 16 in · image 10¼ × 10¼
Paper
Hahnemühle Photo Rag, 308 gsm
Price
$42

Made to order and shipped within the United States in about a week. Tax and shipping are added at checkout.

Download the full-resolution file, free · public domain, no account needed

About this work

Phaeton, son of the sun god, who lost control of his father’s chariot and was struck down by Jupiter, tumbles headlong through the air in a circular frame, his muscular body twisted in dramatic foreshortening. The print is one of the four ‘Disgracers’ engraved by Hendrick Goltzius in 1588 after designs by Cornelis Cornelisz van Haarlem, showing Tantalus, Icarus, Phaeton and Ixion, each punished for overreaching. The series became a showpiece of Haarlem Mannerism, delighting in exaggerated anatomy and impossible viewpoints.

Written by Ochre Editions.

How it was made

Engraving
Lines cut directly into a metal plate with a steel burin, which makes them swell and taper. It took years to master, and for centuries it was how paintings travelled as pictures.

Hendrick Goltzius

Dutch, 1558–1617 · Born in Mühlbracht; died in Haarlem.

Goltzius was the outstanding Dutch engraver of his generation, despite a childhood injury that crippled his right hand. In Haarlem he joined Karel van Mander and Cornelis van Haarlem in promoting the muscular Mannerist style of Bartholomeus Spranger, engraving swelling, tapering lines of great virtuosity. A journey to Italy in 1590–91 turned him towards classical sculpture, as in his engravings of the Apollo Belvedere, and around 1600 he gave up engraving for painting.

Written by Ochre Editions.

See all 7 works by Hendrick Goltzius

Rights and the museum’s record

Public domain. The Met has dedicated this image to the public domain under CC0, so anyone may copy, adapt and use it, for any purpose, without asking. Our prints and files are reproductions made from the museum’s image; the museum doesn’t endorse them.

Object number
53.601.338(5)
Credit
Courtesy of The Metropolitan Museum of Art
Type
Prints
Department
Drawings and Prints
Report this work

Tell us if this image shouldn't be here, or if its record is wrong. A person reads every report.

What's the concern?

More by Hendrick Goltzius

All their works

Close in colour

Lamp

Arsen Maralian, c. 1936